Give one listen and look at singer ILIRA and one will quickly come to the understanding that she was born to be a star. With a consistent record of pumping out impressive pop singles, themes of confidence and high self-esteem flow continuously in her songwriting. Aside from possessing a killer voice, her ear for polished production choices puts her in a win-win situation. At this point in her career the powerhouse artist can do no wrong.
Spanish DJ and artist María Forqué aka Virgen María has been 'blexing' fans for a couple years with her sets that features the Madrid-raised Forqué naked among projections. Challenging stigmas around religion, sexuality, femininity and more, she uses the digital medium to create installations with a healthy soundtrack of techno, trap, electro and Latin rhythms.
Chlöe Howl knows what she wants and isn’t scared to speak her truth. Raised in Berkshire, she was one of those musical prodigies who, blessed with an outstanding voice along with charisma, literally signed a major label record deal at the age of 16. By 2013, she exploded on the scene not only dropping big pop songs like ‘Rumour’ and ‘No Strings’ but also found herself nominated for a 2014 BRIT Award. The then pixie-cut beauty graced various magazines from Marie Claire to Vogue Russia. Whilst this would be a dream come true for most artists, Howl decided to part ways with Sony Music opting to take full creative control of her music and destiny.
Stockholm pop sensation Molly Hammar makes her return with her latest track 'No Place Like Me' featuring none other than grime vet Big Narstie. Tropical in feel, the cut is a pop x garage x trap bonanza. A scorcher for the summer, the song is taken from Hammar's forthcoming EP, landing in later in the year.
London singer Chlöe Howl is back with a new single entitled 'Millionaire'. For this offering, she pulls inspiration from trap, Hip-Hop and R&B. The bold and confident performance showcases Howl's ability to musically travel down a diverse road, shifting from what fans have heard in the past. With Chlöe Howl letting her lover know all that she has to offer, the track definitely has bite and is an interesting window into where the singer may be venturing in to the future. Check it out.
Sølv steps up with her latest single entitled 'Bittersweet'. A haunting, slow-burning pop meets trap handing, the bass heavy production fused with running hi-hats and bluesy guitar riffs acts as the perfect palette for Sølv's seductive vocals. 'Bittersweet' marks the return of Sølv since dropping her 2017 EP 'Codeine'.
Stockholm's bad girl of pop Ängie makes her return with the cut 'IDGAF'. While you can pretty much guess the acronym, the song itself is an in your face, trap banger that completely slaps you in the face with it's trap meets pop production. Ängie delivers saucy vocals while a guitar line repeats behind her and deep low end bass rumbles with ferociousness. 'IDGAF' is the first release since her debut album 'Suicidal Since 1995', released back in 2018.
With their second LP 'Play Hard F**k Hard Love Hard' scheduled to land October 26th on Warner Music, Swedish band Dolores Haze have shared their latest single entitled 'Flip'. A dark and menacing electro-pop meets trap recording stacked with a heap of attitude. There is also a punk sassiness swirling within the vocal delivery which gives it that extra edge. Stream 'Flip' below.
Paris/London duo ZER0 made headway with last year's debut EP 'Orpheus'. Wasting no time with a new self-titled EP fully loaded in the chamber, the pair have shared their latest tune taking from the new record entitled '1066'. Using trap drum programming underneath cosmic electronica, the end result is a mellow and bass-knocking delivery that will definitely keep you in a zone. Check it out.
Following-up from her previous song 'Dreams', South London singer Rhea makes her return with a new single titled 'In The Night'. Driven by trap-style production, the hazy slice of R&B is an appropriate theme for any nocturnal experience. Rhea's seductive vocals compliment the thumping, bass-powered cut.
