Liverpool outfit Monks have shared their latest single 'Welcome Home', which is out on Not That Records/Virgin Music.
When someone like Kim Gordon has accomplished as much she has in the world of rock which is more or less a tree with branches that include the sub-genres of punk, post-punk, no wave, indie, alternative, experimental, and more, what else is left?
As an artist who has pretty much not only been a ground breaker musically and visually, Björk has also been on top of the ever changing forms of technology.
London outfit Vanishing Twin have released their new album 'Afternoon X'. The record follows their 2021 LP 'Ookii Gekkou.
When thinking of Jennifer Touch, two words come to mind - multifaceted and powerhouse. Based in Berlin, she sings, writes, and produces songs that are wide in sound, reaching points including post-punk, new wave, cold wave, various styles of dance, synth wave, and even pop.
London's Night Tapes make their return with a new single called 'Serene'. The song is taken from their forthcoming EP 'Perfect Kindness'.
Dallas artist Kennedy Ashlyn, better known as SRSQ, has shared her new single 'Someday I Will Bask In The Sun'. An absolutely impactful release, the emotive production comprised of a drum & bass palette, splashed with sharp synth leads and punchy guitar lines
We always have time for London band Warmduscher. You can be guaranteed to get a high dose of fun, absurdity, and ultimately a musical melting pot ranging from post-punk to punk funk to dance. In fact, their 2019 LP 'Tainted Lunch' is still in rotation here at ColoRising.
Lillie West aka Lala Lala has shared the latest video for her single 'Color of the Pool', taken from her upcoming LP 'I Want The Door To Open', landing October 8th via Hardly Art. Directed by Weird Life, the vid features West riding on the back of a motorcycle, with Weird Life cleverly using projections on a green screen to replicate a street setting.
London's Martha Skye Murphy has shared her new track titled 'Found Out'. What initially begins with moody guitar lines and Murphy's ghostly vocal delivery, eventually transitions to a dark and haunting experimental offering that ropes the listener into a space of audible claustrophobia as shrieks and moans fill the remaining air.