St. Vincent calls upon techno heroine Nina Kraviz to remix her track 'New York', which is taken from her forthcoming 'MASSEDUCTION Rewired' LP, out December 13th. Minimal in production, the track is composed of haunting and ghostly harmonies with Kraviz topping them off with her own seductive vocal narrative. Extremely spacious, the pulsing drums are at times met with strings and bubbling effects. Oozing with sexiness, you can stream the rework below.
With their album 'Weather' currently out now, Tycho have announced the release of their new interactive 'Forecast' weather app. Users can enjoy a curated playlist of songs taken from 'Weather' which will coincide with the actual forecast of the day.
Bristol's Henry Green is scheduled to drop his forthcoming 'Shift Remixed' EP on Sept 20th via Akira Records. The 4-track record will include reworks of his cuts 'Another Light', 'Stay Here' and 'Shift' coutesy of Cyril Hahn, Rohne, Edapollo, and Harvey Causon.
Boy Harsher have released their 'Careful Remixes, etc.' package which includes an impressive batch of reworks from the likes of Marcel Dettmann, Silent Servant, Minimal Violence and more. Remixing the songs 'Come Closer', 'Tears' and 'LA', the coldwave / post-punk band have shared the visuals for their song 'LA', reworked by Rabit. Directed by Kathleen Dycaico, the two characters of Hunter and Harmony, represent a divide of consciousness, with one suffering from a wounded heart, the other hardened, equipped and ready to deal with the world's realities.
Post-punk/coldwave leaders Boy Harsher have announced the release of a couple of remix singles, landing June 28th. The pair have pressed 'Come Closer' and 'Tears' MAXI 12s on black vinyl, with a clear vinyl deluxe edition limited to only 300 copies. The 'Come Closer' package includes remixes by Marcel Dettmann and Bonaventure, with the 'Tears' pack featuring reworks by Silent Servant and Minimal Violence.
Having shared her latest single 'Limit Of Love' last month, Russian-born, London-based artist I Am BOLEYN now unveils the Simon Duffy remix of the track. Whilst the original version leans more on the tender side of synth-pop, Duffy restructures the tune into a nocturnal, deep house gem. A pulsing bass line coincides with ethereal synth strokes, sparking an atmospheric and otherworldly remix that is oh so lovely. Have a listen.
Brighton singer Grace Carter has shared a new remix of her single 'Heal Me', courtesy of Canadian producer Rene La Vice. Whilst the original is an epic slice of pop, La Vice gives the tune a drum and bass makeover, creating a bass-driven scorcher. Although the beats per minute may be pumped up, the song still maintains the emotion and mood of the original version. This is a killer remix that will probably get hammered out by loads of DJs. Have a listen.
Back in the 2018, Berlin-based ANNAVR dropped her EP 'I: Hallucination', the first edition in a three part series. Her next record 'II: Vibration' will land on March 8th. One of the songs featured on the up coming record is the cut 'Blue Satin' which has also received a makeover in which ANNAVR calls the Malindi rework. The remix is a sultry electronic pop sliding that rolls with spacious yet luscious production and honey-dripping vocals. Unquestionably reeling, ANNAVR has shared iPhone-shot visuals of her trip throughout Kenya to accompany the tune. You can check it out below.
Making their debut back in 2018 with the track 'If I Am Dreaming' London band Komraus are now slated to release their album 'Untie The Ropes' on February 15th. Already unveiling the title track with a video to accompany it, the trio have now shared a Rachel K Collier remix of the song. Whilst the original was hauntingly moody and atmospheric, Collier's rework adds more a spacey club topping, pushing it with light synth punches, electronic twinkles and pulsing 4x4 drums.
Andrew Weatherall steps up with a magnificent remix of The Twilight Sad's 'Videograms'. Dark and hedi, the rework is a pulsing post-punk-fused gem peppered with spices of industrial, dance and electro. A great addition to the original version, Weatherall's version creates vivid images of those warehouse club moments in the wee hours of the morning. This is a killer handing from someone who has earned legend status in the music business.
