With their new EP 'Live From BBC Maida Vale' out now, Dublin band The Murder Capital have dropped their version of the FKA twigs tune 'Cellophane'. Whilst the song begins as an airy re-working of minimalism, it eventually transitions into a heavy post-punk crusher. Intense at peak points, the boys bring the sound back down to that previous space of peaceful moments, which is down quite masterfully.
Glasgow's The Ninth Wave make their return with a new single entitled 'Happy Days'. The song is the title track taken from their upcoming EP, out July 17th. Driven by a low, rumbling bass line and haunting synths, the dark and menacing production coincide with the theme of the tune, which revolves around the various trials and tribulations that one encounters in life. A peak into what fans can expect with the new record, 'Happy Days' is available to stream below.
Glasgow band Dead Pony have shared their new single 'Everything Is Easy'. Stacked with ripping guitar lines, a rich bass line and thundering drumming, the tune glides between alternative and post-punk glory with singer Anna Shields topping off the track with saucy vocals.
London artist Oliver Marson follows-up his previous single 'Time For Love' with his latest cut 'To The Nines!'. The cheeky post-punk meets art pop handing features Marson elegantly addressing the issues of people's poor decisions when it comes to well...fashion.
The Oxford dictionary defines the meaning of the word identity as "who or what somebody/something is". No one understands the importance of identity more than Aime Simone. The Berlin-based artist has defined who he is and what he stands for, refusing to let the past dictate his modern or future existence. Aime Simone's lyrics in his songs are equally external as they are introspective, as he sings of the state of the world whilst playing his part to uplift, yet also opens a window into his personal journey that has led him to where he is now.
The Oxford dictionary defines the meaning of the word identity as "who or what somebody/something is". No one understands the importance of identity more than Aime Simone. The Berlin-based artist has defined who he is and what he stands for, refusing to let the past dictate his modern or future existence. Aime Simone's lyrics in his songs are equally external as they are introspective, as he sings of the state of the world whilst playing his part to uplift, yet also opens a window into his personal journey that has led him to where he is now.
Liverpool band SPQR have released their latest EP 'No Brain, No Pain' via Nuthin Gud Records. Comprised of four tracks, musically the group delve into experimental alternative, art-rock and punk rhythms whilst the content revolves around feelings of disconnect and separation from reality.
Amsterdam band Rex have shared their new single 'Lovers Like We Used To Be', taken from their debut EP landing this spring. While their previous track 'Palaces' incorporated a dark post-punk styling, the latest offering is injected with jazz undertones with smokey alternative overlays.
At the moment Jehnny Beth's forthcoming album 'To Love Is To Live' is one of our most anticipated releases of this year. The singer, radio host, author and actress has previously dropped two killer singles, 'I'm The Man' and 'Flowers', both accompanied with amazing videos. She now unveils her third cut titled 'Innocence', which is also attached to a video. Directed by Andreas Neumann, the footage captures Jehnny Beth and the band performing the song live during a rehearsal. Now mind you, it literally looks like a concert.
Manchester band PINS continue to deliver tracks as we patiently wait for their new LP. 'Ghosting' is the trio's latest cut which finds the group delivering stadium-style, sing-a-long choruses over electro-driven production, stacked with 4x4 drumming and fuzzy synth work.
