On the New York side of things, Brooklyn band Sharkmuffin have been dropping a load of excellent punk, noise and garage rock tracks for a number of years. Their 2013 debut EP 'She-Gods of Champagne Valley' was an energetic marathon of raw and in your face garage that was jumping with force and attitude. That same year they also dropped the '1097' EP. 2015 saw the release of Sharkmuffin's debut LP 'Chartreuse', further imprinting their core sound which featured a modern day punk fury mixed with classic elements of the genre.
L.A.-based garage rocker Hanni El Khatib has announced the details of his forthcoming album 'Savage Times' out February 17th on Innovative Leisure. The new work features the full collection of his Savage Times EPs released in 2016, along with a batch of new tracks. There will also be limited edition 10" vinyl books available for purchase. To coincide with the news, Hanni El Khatib has also shared his latest track titled 'This I Know'. A raw soul meets rock concoction, the track will also be featured on the upcoming LP. Have a listen below.

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Austin's Leopold and His Fiction unveil their video for the track 'I’m Caving In', which is taken from their forthcoming LP 'Darling Destroyer' out January 20, 2017. The band perform the song in what appears to be a cross between a church and a fun house as kaleidoscopic effects flash throughout various clips. There are also television sets in the place with frontman Daniel James looking at himself on the screens. Somewhat visually trippy, no one can deny that the song is an absolutely killer garage rock cut. Have a look.

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If you have followed Miami-based band Plastic Pinks over the few years, then you'll know this 5-piece group definitely know how to rock out with the best of them. Having recorded everything from punk to psych-rock, releasing their debut LP 'Sunnyside Rabbits' back in 2015.
L.A. rockers Exsage have dropped the video for their song 'Tripwire'. Directed by Jason Lester, the visuals depict strange interactions with dodgy men with briefcases and a guy with his face wrapped in bandages like something out of a Halloween flick. Definitely a little on the eerie side, the song is a rock and roll gem.
When Lewis Del Mar first dropped their track 'Loud(y)', it was evident that the New York pair had unearthed something quite special, almost deconstructing a garage rock sound into something distinctly their own. It was also no surprise that the two drew attention to radio shot callers such as Annie Mac and Huw Stephens. But like many bands who understand one particular concept...you're only as good as your last single and a great full-length is the true writing on the wall on what an act can do. But like the city that they live in, there is an "F you" attitude toward the rule books, which is actually why their self-titled LP goes far beyond the mark of exceptional-they have musically done what they've wanted to do.