It is easy to get caught up in the romanticism of various periods of jazz, whether it be the swinging sounds of 40s bebop, 60s cool or the 70s spiritual and edgier period. Imagery of musicians making their treks between St. Louis and Chicago, on over to bustling Harlem nights prompt vivid flashes of Charlie Parker and Miles Davis jamming on stage with the skillful drumming of Max Roach powering behind them. Whilst for some these moments hold dear with a strong arm protection like the Mona Lisa in the Louvre, if you’re a jazz band from Switzerland, it would almost seem rational to work extra hard to remotely follow-up behind some of the legacies that were left in the genre. However with Swiss group Kaos Protokoll’s latest LP ‘Everyone Nowhere’, the band have opted to simply do their own thing, making a journey into their truths about a sound that they simply love to play.