London-based singer Bella McKendree makes music that is touching and heartfelt, delivered from the depths of her soul. Also a pianist, her graceful flair for bringing forth songs that blossom with beauty spearheaded by her angelic voice, has critics throughout the press captured in the palm of her hands.
Aside from having recorded amazing music with the Welsh band Yr Ods, Griff Lynch has continued to create cultural bridges, performing songs in his native language, reeling listeners into the utterly magnificent offerings from the beautiful Wales land. Musically gliding between everything ranging from indie to electronica, it would do injustice to try to pin Griff Lynch down to any one specific box. However, his flawless tying between sometimes not so happy themes with contrasting, vibrant rhythms is a part of the listening wonder.
An intense energy is what Stockholm’s Rein brings to the table. Using the sounds of electro, punk and digital hardcore to deliver messages containing political and social overtones, the fiery artist released her debut self-titled EP last year, shaking the music industry whilst gaining multiple praises internationally. Nominated for a 2017 P3 Guld Award, Rein’s latest EP entitled ‘FREEDOOM’ is a harder hit to the matrix, tackling subjects such as sexism, racism, capitalism and more. One of the most potent recordings currently on the market, Rein is here to do more than just make you dance, but rather spark the fire for change.
If there is one group here to shake things up in music it’s London’s Girls In Synthesis. With a sound raging with punk fury, the group released their double A-side record ‘The Mound/Disappear’ in early March of this year. The band’s energy hit like the impact of a bullet train at full speed with much of it properly translated at their live shows. After all, it isn’t uncommon to see some of the members jumping into the crowd whilst playing. With the current political climate of the world seeming to spiral into a frenzy, the sound of Girls In Synthesis couldn’t be needed more to cut through the current fluff floating about.
Desperate Journalist represent all of the hearty goodness about the DIY scene of London. Blending the sounds of alternative, post-punk, gothic and more, the foursome comprised of singer Jo Bevan, guitarist Rob Hardy, bassist Simon Drowner and drummer Caz Hellbent, kicked in the door with their 2013 EP ‘Christina’. Following up with the singles ‘Organ’ and 2014’s ‘Happening’, Desperate Journalist brought forth their incredible self-titled debut album in 2015.
With an entrancing voice as golden as honey, there is an uncanny power to every square inch of Rudie Edwards’ being. Drop dead gorgeous with a sultry yet playful flair, the London-based artist has already ignited a flame in the music business writing for the likes of CeeLo Green and Erik Hassle, just to name a few. Whilst one would assume that penning songs alongside mainstream giants would entice her to follow a particular pop formula for her own music, Edwards has proven out the gate that not only has she crafted her own sexy sound that can compete with anything on the charts, but as an artist, well…she isn’t like anyone else.
Red Rosamond immediately commands attention – visually striking red hair, a stark beauty and a distinct, classic elegance possessed by past starlets. With all of her positive physical attributes, when she opens her mouth to sing, you began to understand that she is more than just good looks, but rather a vocal powerhouse whose voice blasts with soul and emotion. The Los Angeles-based artist first gave the world a grandeur introduction with her song ‘Looks Can Kill’, an epic pop meets shimmering soul tune that was technically fitting for a major motion picture. Her latest single ‘Damn’ continues her streak of mountainous production and lifting vocals, all containing a timeless flair. It would be an understatement to say that Red Rosamond will completely dominate music, but to watch the process will be a part of the joy.
NYC band High Waisted is probably having more fun than you…fact. With a sound that blends surf, pop and garage rock, the foursome is everything that one would dream a rock and roll band to be. Releasing their album ‘On Ludlow’ in March of this year, the group have astonished fans and critics alike, racking up praises in various publications including NME, Nylon, Vice’s Noisey and more. The truth is, whilst there are the visuals which depict a bold wildness, High Waisted are a band that know music, and know it incredibly well. With Jessica Louise Dye delivering masterfully controlling vocals with entertaining and at times edgy content, the band’s sound is stylistically lustrous, gripping the attention of the listener from beginning to end. In terms of live shows, the bring energy to the umpteenth degree, which is why they are presently one of the bands that is on everyone’s radar.
Punk will never die…the authentic punk that is, especially when bands like London’s Dream Nails exist. The group’s music is like an awakening alarm of urgency speaking out against the ills of society with a sonic rage as the palette. Appropriately titling their debut EP ‘DIY’, that spirit runs deep in the four members as they even released a zine to coincide with the record. Their sound is loud, fast and hits with a punch like an uppercut to the face. Singing messages of empowerment, the self-proclaimed ‘feminist punk witches from hell’ are as core as they come, raw and uncut, and you can best believe they are utterly proud of it.
The gap between Sweden and the rest of the world in terms of pop music is getting wider by the day. Whilst it feels as if the country pumps out acts whose weekly, stadium-style pop chants dominate the landscape, there is something different about singer Rebecca Bergcrantz better known as Raindear. With a voice that cuts through the noise, there is a bold confidence in her delivery as her musical production incorporates huskier electro rhythms into the mix.